Mondrian's Friends London 1938 - 1940
In London he was welcomed by several artist friends, notably
Winifred
Nicholson, Ben Nicholson and
Barbara Hepworth, who also provided material
assistance. Mondrian had in the past taken part in exhibitions organised
by their group ... [ thus] ... he was taken up by a group of artists who were
familiar with his work and ideas, and sympathised with them, a group which also
included Naum Gabo. (Blotkamp p 224)
The December 1966 edition of Studio International magazine contains an article on Mondrian's time in London, largely comprising reminiscences by those listed below. I have reproduced the article here.
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Winifred Nicholson (1893-1981) Painter in oil, watercolour and gouache, especially of flowers and landscapes. Born in Oxford, she attended the Byam Shaw School of Art, then studied art in Paris, Lugano, India and the Hebrides. Participated in extensive mixed exhibitions throughout her life, initially as Winifred Roberts, her maiden name. She married the painter Ben Nicholson in 1920 and had her first one-man show at the Mayor Gallery as Winifred Nicholson in 1925. Was a member of the 7 & 5 Society 1925-35 and the NEAC 1937-43. Was the mother of the painter Kate Nicholson. Contributed to Circle, International Survey of Constructive Art, in 1937, designed a “constructive” fabric for Alastair Morton’s Edinburgh Weavers the same year, as Winifred Dacre, and under the same name showed four abstract works in an Exhibition of Constructive Art at the London Gallery. Until late in life she travelled widely, showing pictures in Morocco, Greece, Cornwall and Cumbria. Her later work was concerned with prismatic colour experiments. Exhibited internationally, and her pictures are held by many public galleries including the Tate Gallery, Bristol, Bradford, Adelaide and Melbourne. lived at Brampton, Cumbria. A major exhibition toured from the Tate in 1987-8. |
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Ben
Nicholson (1894-1982) British painter and maker of painted reliefs, one of the most distinguished pioneers of abstract art in Britain From his father, Sir William Nicholson, he inherited a feeling for simple and fastidious still lifes, which with landscapes made up the bulk of his early work. They show him responding to the innovations of Cubism, using the standard Cubist repertoire of objects such as jugs and glasses and arranging them as flat shapes on the picture plane. In 1933, during one of the several long stays in Paris he made at this time, Nicholson made the first of a series of white reliefs using only right angles and circles (White Relief, Tate, London, 1935). They show the influence of Mondrian (whom Nicholson met in Paris in 1934) and were the most uncompromising examples of abstract art that had been made by a British artist up to that date. By this time he was recognized as being at the forefront of the modern movement in England; he was a member of Unit One and one of the editors of Circle. In 1932 he married Barbara Hepworth (they were divorced in 1951) and in 1939 moved with her to St Ives, where with John Piper and others he became the centre of a local art movement. After the war his international reputation grew and he won many prestigious prizes. In 1968 he was awarded the OM. His late work moved freely between abstraction and figuration. From 1958 he lived in Switzerland. Nicholson’s first wife, Winifred Nicholson (1893-1981), was a painter of distinction. She is best known for her flower paintings, but she also did other subjects and abstracts, all her work showing her joy in colour and light. Ben and Winifred Nicholson were married from 1920 to 1931, but even after their separation they took a keen interest in each other’s work. Oxford Dictionary of Art |
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Barbara Hepworth in the Mall Studio,
1932
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Dame Barbara
Hepworth (1903-1975) English sculptor. The
daughter of a Yorkshire county surveyor, she was educated at Leeds College
of Art (1920-21) and then at the Royal Academy of Art, London (1921-4),
after which she won a travelling scholarship to Italy, married the sculptor
John Skeaping and shared a joint exhibition with him at the Beaux Arts
Gallery, London, in 1928. Both were members of the radical artists' group,
the Seven and Five Society. In 1930 she aroused attention by her exhibition
at Tooth's Gallery, which included works such as a stone Mother and Child. Added 21st September 2007 The image right is a homage to Mondrian by Barbara Hepworth located at Winchester Cathedral. I found this on Google, but it is actually posted in Wikipedia and was provided by Suzanne Knights. The piece is called CONSTRUCTION (CRUCIFIXION): Homage to Mondrian. |
Trophy Flight,
1965
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Naum Gabo (1890-1977)
Russian Naum Gabo was a pioneering Constructivist sculptor whose use of
glass, plastic and metal signaled a rejection of traditional concepts of
sculpture in favour. Deeply involved with the European avant-garde movement
he came to Hampstead in 1936 as a refugee before moving to the United
States. |
Construction on space with crystalline
centre, 1938-40 |
 Herbert Read at No 3 The Mall, Hampstead, 1933 Howard Coster National Portrait Gallery, London |
Herbert Read (1893-1968) The
prolific writer, lecturer and art critic Herbert Read moved into the Mall
Studios, Hampstead in 1934, where he became close friends with his artist
neighbours. Read's recognition of the importance of the Hampstead modernist
artists placed their achievements in a world context and helped them gain
acceptance in the face of a hostile English public. |
